person montage-theory ◆ established
D.W. Griffith
n early, foundational American film director and producer who pioneered many of the narrative editing techniques that became the bedrock of classical Hollywood style. Griffith moved editing beyond simple scene construction to a tool for dramatic emphasis and storytelling, popularizing techniques like the close-up for emotion, cross-cutting for suspense, and principles of action continuity. His work established a model of narrative-driven editing that contrasted sharply with the more theoretical montage of his Soviet contemporaries.
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