person montage-theory ◆ established
D.W. Griffith
foundational American film director and innovator whose work established much of the narrative grammar still used today. In contrast to the static, single-shot films of the earliest pioneers, Griffith's editing synthesized disparate shots to create coherent stories, emotional investment, and dramatic tension. His approach is often positioned as the narrative-focused counterpoint to the more theoretical montage of the Soviet school.
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